Here are my next two pens off the Shopsmith, including my first non-Slimline. Still using the Jatoba with friction polish and Renaissance wax. I think I'll try the CA on the next Slimline.
I gave the first to my wife, the second to the friend at work who gave me the Jatoba wood. The two in the picture below were given to some friends at church this morning as a thank-you. My wife and I settled here in Virginia when I left Active Duty since this is where the jobs are for former Marines. Since we don't live anywhere near either set of parents, a couple from church has adopted our kids as grandkids. They are a very dear couple, and the lady has done a LOT of babysitting for my wife for her pregnancy doctor appointments. She even gave up most of Christmas morning with her own family to come over and watch our older kids until my folks could drive down from PA while we went to the hospital for our youngest to be born on Christmas morning!
On another note, a friend of my brother has asked about buying a pen, completely unsolicited. I know what some people charge for custom handcrafted pens who do it for a living, or as a side business. I'm wrestling with what to charge since I'm just getting into pen turning and don't really know where this road is going to lead. Will this just be a hobby and produce Christmas presents, or do I want to try to sell a few now and then. It would be nice to make a little something, even if it's just to feed the addiction, er, I mean to re-invest in my workshop capabilities.
On one hand, it's a $3.55 pen kit using scrap hardwood flooring that was freely given to me. On the other hand it is a unique handmade gift item made of an imported South American hardwood that most people in America can't pronounce the name of, and have never seen, and is trimmed in 24k gold. Do I charge $7 or $30? Like most things in life the answer is probably somewhere in between the extremes. I'm not looking to take advantage of my brother's friend, but I don't just want to give them away to everyone who asks. I guess I am mostly just thinking out loud here, but I would like to hear some advice from those of you who have taken woodworking from hobby to paid work, be it part-time, full-time, or ad-hoc.
As for the pictures, I was trying to find a balance of camera settings that would show the gloss of the finish and the grain of the wood, but at the same time show the two-tone finish on the cigar pen of black and gun-metal. It was hard to do and I don't think I really accomplished it. I know the first thing I should do is use a background other than the shiny tile-top table, something like a fabric sheet that won't reflect the flash everywhere. Can you use a flash diffuser effectively on a point and shoot camera where the flash is permanently fixed on top of the camera just about an inch higher than the optical path of the sensor? Would a diffuser (i.e. piece of translucent milk jug - HDPE) work best, or a reflector (ie. cardboard or paperboard) to reflect the flash off the ceiling?
Anyhow, thanks for bearing with my ramblings and for any advice y'all might have.
